

Reproduction is prohibited other than in accordance with the copyright notice, which forms part of these terms and conditions.Īll trademarks reproduced in this website, which are not the property of, or licensed to the operator, are acknowledged on the website. This material includes, but is not limited to, the design, layout, look, appearance and graphics. This website contains material which is owned by or licensed to us. It shall be your own responsibility to ensure that any products, services or information available through this website meet your specific requirements. Your use of any information or materials on this website is entirely at your own risk, for which we shall not be liable. You acknowledge that such information and materials may contain inaccuracies or errors and we expressly exclude liability for any such inaccuracies or errors to the fullest extent permitted by law. Neither we nor any third parties provide any warranty or guarantee as to the accuracy, timeliness, performance, completeness or suitability of the information and materials found or offered on this website for any particular purpose. The content of the pages of this website is for your general information and use only. The use of this website is subject to the following terms of use: The term ‘you’ refers to the user or viewer of our website. The term ‘Discrepancy Records’ or ‘us’ or ‘we’ refers to the owner of the website whose registered office is. If you disagree with any part of these terms and conditions, please do not use our website. If you continue to browse and use this website, you are agreeing to comply with and be bound by the following terms and conditions of use, which together with our privacy policy govern Discrepancy Records’s relationship with you in relation to this website. That icon is Bonnie Pointer.Welcome to our website. It’s the worldwide release from a genuine R&B icon. The artwork has been updated, the music remastered, and the packaging contains new liner notes from Scott Schinder, featuring conversations with Poe and Taylor, telling the story of how the material came about, and why it deserves another shot.īonnie Pointer passed away in 2020, so sadly she is no longer with us to experience the joy of Like A Picasso’s return. Thirteen songs from the original recording are augmented by three previously unissued tracks. Originally issued in 2011, Like a Picasso was released by Poe and Taylor on the Platinum Trini Entertainment label, although a lack of funding and promotion limited its chances in the marketplace.įlash forward another decade, and Like a Picasso will receive an overdue worldwide release for the marketplace, on Apvia Omnivore Recordings, on CD and Digital. The 2008 session laid the foundation that resulted in an entire album’s worth of recordings using Taylor Poe’s extensive catalog of material. Bonnie appeared on Soul Train in 1985, but it would be decades before she would release more music.Īfter being approached by songwriters/producers Lloyd Poe and Robin Taylor to record a demo for a new Taylor Poe composition, “Answered Prayer,” Bonnie agreed and brought in sister Anita to sing background vocals with her. The next year brought another self-titled released, and a third album came five years later. She signed with Motown Records in 1978, and her eponymous debut featured the hit “Heaven Must Have Sent You,” which reached #11 on the Billboard Hot 100. Following five releases with her sisters on ABC/Blue Thumb Records (including a Grammy® win in 1975 for the Bonnie and Anita Pointer-penned “Fairytale”), Bonnie Pointer left the group she co-founded and began a solo career.
